The Georgian National Opera and Ballet Theatre (Tbilisi Opera) has finally reopened to great fanfare. Most shows have been sold-out, and it seems like everyone is itching to get inside and see the renovations. I was one of those people. Friday night, my friends and I went to see Swan Lake. While Swan Lake was a great choice of performance to watch, we would have been happy to see anything we could get tickets for that fit into our schedule so we could get into the building and take a peek. I’m the furthest thing from qualified to give a critique of the ballet, so I will just leave it at “It was pretty.” The performance was accompanied by a live pit orchestra, which always adds a nice touch. You can check upcoming performances on the Opera’s website (NB: I can’t find an English version) or see the schedule and buy tickets on tkt.ge. Tickets can also be purchased at the box office. The upcoming schedule features a Georgian ballet and a Georgian opera, in addition to some international favorites. I know nothing about these performances, but it seems like it would be an interesting and unique experience.
The renovations of the building did not disappoint–everything is sumptuous. Every inch is painted with beautiful designs, there are oodles of chandeliers, and the chairs are all velvet-covered. Leg room isn’t generous, but the seats are comfortable enough. The restrooms seemed to be the only place where money was an object during the renovation–in contrast to every other nook of the building they were not luxurious, but they were clean and functional, so I have no complaints. Throughout the hallways and in some of the smaller spaces there are exhibits of memorabilia from the theatre’s history.
My only complaint is beyond the theatre’s–audience behavior was quite shocking. I haven’t gone to the theatre in any other country in years (even before I moved here, I wasn’t living in a place with lots of theatre-going opportunities), so maybe this is not a Georgian problem, but one that has grown worldwide, but I was shocked to see people who had paid 80 GEL for the most expensive seats in the house who were fiddling with their phones on throughout the performance (they didn’t appear to be filming, which would have been even worse)–the glow was distracting, even from three floors up. The doors to the hall were constantly opening and closing, and there was quite a lot of loud talking. (from the adults. The little girls nearby were quite well-behaved) Despite the annoyances which kept me from being fully swept up in the performance, it was still quite enchanting.
I took a few snapshots of the decor, but they pale in comparison to those the pros took for the grand opening…so look at these instead.