Flight from the U.S.S.R. / ჯინსების თაობა (“Jeans Generation”) by Dato Turashvili
Turashvili, Dato. Flight from the USSR. Trans. Maya Kiasashvili. Tbilisi: Sulakauri Publishing, 2008. Print.
Availability: Easily available in almost any book or souvenir shop in Georgia, in Georgian, English, or Russian. US/UK editions to be released February 2016.
The story of a group of young Soviet Georgians who just can’t take it anymore so they decide to hijack an airplane and defect to the West. This historical fiction novel is more on the historical side (per my quick Google research), and most of the fictionalization lies in giving personality and dialogue to the historical personages. The story was initially written as a play in 2001, while Shevardnadze (who makes an unflattering cameo in the novel version) was still in power. That was certainly a brave act of artistic resistance. The novel version of the story was published in 2008, though the play remains popular (but I haven’t seen it yet). US and UK versions of the novel are slated to be published in February 2016.
When I decided to start reading this, I didn’t realize how timely my choice of reading material was–I began just after the Paris attacks, and therefore the idea of terrorism was at the forefront of my mind while reading it. One of the main themes of the book is the oft-quoted idea that the difference between a terrorist and a freedom fighter is where you stand, and that the line between good and evil is not always clear-cut. The hijackers’ actions are not defended–everyone admits that engaging in terrorism is wrong, but they are all portrayed as sympathetic characters who are just trying to make the world better. As the novel tells it, the casualties of the hijacking were inflicted by the authorities, while the hijackers shared water with the passengers trapped aboard the aircraft. This brings into focus the harshness of life under the late-Soviet regime, and the upside-down reality that the terrorists took more care of citizens than did the officials whose duty was, theoretically, to protect them. The novel engages with the philosophical questions of violence, freedom, and the connection between the two. To me, Turashvili didn’t answer these questions; rather, he created an environment suitable for the reader to ponder them.
Though the book has a philosophical side, it remains a quick and enjoyable read. The action is fast-paced, and the prose is concise and readable. At under 200 pages, it’s also a quick read. Kiasashvili’s translation was quite good; it maintained a readable and colloquial style. The one real problem I found with this book was that the proofreading was terrible (/non-existent)! It was riddled with typos–some of them comically awkward (“shedding teats in the cemetery”) and some just bizarre (a Russian letter inserted in the middle of an English word). Note to Georgian publishing companies–I (and I’m sure plenty of other ex-pats) would be happy to check for typos in exchange for some lari. These errors prevented me from fully engaging with the book and immersing myself in it. I assume that the forthcoming US and UK editions of the book will fix these problems, making the book much more readable. I can’t speak to the quality of the Russian translation.
One last point to make is that the Georgian editions of the book (Georgian, English, and Russian) are published by Sulakauri Publishing, who have been in the news recently for an ad featuring a Hitler impersonator, which many feel is in poor taste. You may want to keep this in mind when deciding if you would like to purchase the book.